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Personal Info

Known For

Directing

Known Credits

511

Gender

Male

Birthday

1933-01-14

Day of Death

2003-03-09 (70 years old)

Place of Birth

Kansas City, Missouri, USA

Also Known As

James Stanley Brakhage

스탠 브래키지

スタン・ブラッケージ

斯坦·布拉哈格

Стэн Брэкидж

სტენ ბრეკიჯი

Stan Brakhage

Biography

Stan Brakhage is one of the most influential filmmakers in American avant-garde cinema, noted for his unflinching social commentaries and technical innovations. Over his nearly 40-year career, he has made over 200 films of varying length. He made his first film, Interim (1952) at age 18 after dropping out of college. Brakhage films seek to change the way we see. They encourage viewers to eschew traditional narrative structure in favor of pure visual perception that is not reliant on naming what is seen; rather his goal is to create a more visceral visual experience, for he believes that a "stream-of visual-consciousness could be nothing less than the pathway of the soul." To this end, his films are shot in highly sensual colors and utilize minimal soundtracks. His work can be divided into distinct periods. His first short films explored the properties and possibilities of light. In many of his experimental ventures, Brakhage has forgone traditional cinematography in favor of working directly with the film stock itself. He has occasionally painted, inked, scratched and dyed images onto it; he has also tried pasting organic objects on the film. His most famous example is the 1963 short Mothlight in which he glued moth wings onto the stock. Some of his early films were based on his most intimate experiences that included making love to his new bride--depicted on negative film--in Wedlock House: An Intercourse (1959), and an attempt to bring his dead dog back to life with a camera in Sirius Remembered (1959). During the 1960s, Brakhage's iconoclastic views were celebrated for their poetry, but during the '70s, his focus changed to social issues and he alienated many supporters with such disturbing film series as the "Pittsburgh documents" in which he presented many gruesome views of inner city life with films such as Act of Seeing with One's Own Eyes (1971) which was shot in a morgue. He also continued with autobiographical material with the "Sincerity/Duplicity series. During the 1980s, Brakhage's focus again changed--this time he became intrigued with creating truly "abstract" films such as Arabics (1982) which consists of brilliant bursts of colored light which he claims, represent "envisioned music." In addition to filmmaking, Brakhage also wrote books about films and filmmaking and also served as a teacher.

Known For

Acting

Encomium

2003

Encomium

as

Self

Cat's Cradle

1959

Cat's Cradle

as

Self

Window Water Baby Moving

1959

Window Water Baby Moving

as

Self (uncredited)

Brakhage

1998

Brakhage

as

Self

Trumpit

1956

Trumpit

as

Vakvagany

2002

Vakvagany

as

Himself

Cannibal! The Musical

1996

Cannibal! The Musical

as

Noon Sr.

Song 1

1964

Song 1

as

The Stars Are Beautiful

1974

The Stars Are Beautiful

as

Narrator (voice)

As Is Was

1995

As Is Was

as

For Stan

2009

For Stan

as

Himself

Filmmakers

1969

Filmmakers

as

Himself

Watunna

1989

Watunna

as

Narrator

Reality's Invisible

1972

Reality's Invisible

as

Himself

Notes on Marie Menken

2006

Notes on Marie Menken

as

Self (archive footage)

Abstract Cinema

1993

Abstract Cinema

as

Himself

Production

Crew

Directing

Mothlight

1963

Mothlight

as

Eye Myth

1967

Eye Myth

as

Kindering

1987

Kindering

as

Black Ice

1994

Black Ice

as

Stellar

1993

Stellar

as

Lovesong

2001

Lovesong

as

Rage Net

1988

Rage Net

as

Rounds

2001

Rounds

as

Autumnal

1993

Autumnal

as

The Dead

1960

The Dead

as

Loving

1957

Loving

as

Pasht

1966

Pasht

as

Interim

1952

Interim

as

Song 6

1964

Song 6

as

Song 10

1965

Song 10

as

Song 4

1964

Song 4

as

Song 12

1965

Song 12

as

Song 14

1965

Song 14

as

Song 2

1964

Song 2

as

Song 3

1964

Song 3

as

Song 8

1964

Song 8

as

Song 13

1965

Song 13

as

Song 9

1965

Song 9

as

Song 5

1964

Song 5

as

Song 11

1965

Song 11

as

Song 1

1964

Song 1

as

Song 7

1964

Song 7

as

Naughts

1994

Naughts

as

Creation

1979

Creation

as

The Women

1973

The Women

as

Gadflies

1976

Gadflies

as

Wecht

1972

Wecht

as

Deus Ex

1971

Deus Ex

as

Desert

1976

Desert

as

Eyes

1970

Eyes

as

Nightcats

1956

Nightcats

as

Door

1971

Door

as

Angels'

1971

Angels'

as

Skein

1974

Skein

as

Aquarien

1974

Aquarien

as

Max

2002

Max

as

Song 21

1966

Song 21

as

Song 24

1967

Song 24

as

Song 20

1966

Song 20

as

Song 17

1966

Song 17

as

Song 22

1966

Song 22

as

Song 25

1967

Song 25

as

Song 18

1966

Song 18

as

Song 19

1966

Song 19

as

Song 16

1966

Song 16

as

Song 28

1969

Song 28

as

Song 26

1968

Song 26

as

Song 29

1969

Song 29

as

Jane

1985

Jane

as

Ascension

2002

Ascension

as

Prelude 3

1995

Prelude 3

as

Prelude 4

1995

Prelude 4

as

Prelude 1

1995

Prelude 1

as

Prelude 2

1995

Prelude 2

as

Prelude 9

1996

Prelude 9

as

Prelude 7

1996

Prelude 7

as

Prelude 5

1995

Prelude 5

as

Prelude 8

1996

Prelude 8

as

Prelude 6

1995

Prelude 6

as

Coupling

1999

Coupling

as

Window

1976

Window

as

Sketches

1976

Sketches

as

Gift

1973

Gift

as

I...

1995

I...

as

Clancy

1974

Clancy

as

The Loom

1986

The Loom

as

4A

1980

4A

as

Bird

1978

Bird

as

Flight

1974

Flight

as

Highs

1976

Highs

as

Centre

1978

Centre

as

Faust IV

1989

Faust IV

as

Fireloop

1986

Fireloop

as

Very

2001

Very

as

Other

1980

Other

as

Trio

1976

Trio

as

Sluice

1978

Sluice

as

RR

1981

RR

as

Nodes

1981

Nodes

as

Salome

1980

Salome

as

Absence

1976

Absence

as

Sol

1974

Sol

as

Aftermath

1981

Aftermath

as

@

1979

@

as

Dominion

1974

Dominion

as

Matins

1988

Matins

as

Tragoedia

1977

Tragoedia

as

Airs

1976

Airs

as

Dance

2000

Dance

as